You agree not to send or bring the Content out of the country/region where you originally obtained it to other countries/regions without any required authorization of the applicable governments and/or in violation of any laws, restrictions and regulations.īy proceeding to downloading the Content, you agree to be bound by the above as well as all laws and regulations applicable to your download and use of the Content. 2020) Non-Legalized: Applied my Atomos Legalize (2020) LUT and the footage matched immediately. Legalized: Footage matched once I applied the Color Space Override function to the Atomos footage (and set it to Rec. Copy the Canon provided LUTs and your custom LUTs into the folder. Both of these images have Canons stock Clog3 to WideDR LUT applied as well 2020 Footage. Righ-click any LUT to open the contextual menu, and then clic on Reveal in Finder, this will open the location of the LUTs folder in Finder. You shall also not (and shall not let others) reproduce, modify, reformat, disassemble, decompile or otherwise reverse engineer or create derivative works from the Content, in whole or in part. Go to the Color space by clicking the Color icon at the bottom of the window. You shall not distribute, assign, license, sell, rent, broadcast, transmit, publish or transfer the Content to any other party. Canon shall not be held liable for any damages whatsoever in connection with the Content, (including, without limitation, indirect, consequential, exemplary or incidental damages). You may download and use the Content solely for your personal, non-commercial use and at your own risks. We have currently only tested on cameras listed above. In premiere When I use the same conversion LUT on the footage, it ends up looking nothing like it. I used the c-log to rec709 LUT from canon in my monitor while shooting. Using the correct LUT: (BT709CanonLog-to-BT709WideDR33FFVer.2.0.cube) NutDestroyer 3 yr. CANON R5, R6, EOS-R, C70, 1DX Mark III, C200, C300 Mark II & III, C500 Mark II, C700 If your camera isn’t listed, it still may be compatible. Premiere Pro - as I understand rec709 is the default. Use in any color grading app like DaVinci Resolve, Final Cut Pro, Adobe Premiere, and more BUT If you want to take your S-Log 3 Color Grades to the NEXT LEVEL, check out our Color Grading S-Log 3 Course. All software, programs (including but not limited to drivers), files, documents, manuals, instructions or any other materials (collectively, “Content”) are made available on this site on an "as is" basis.Ĭanon Marketing (Thailand) Co., Ltd., and its affiliate companies (“Canon”) make no guarantee of any kind with regard to the Content, expressly disclaims all warranties, expressed or implied (including, without limitation, implied warranties of merchantability, fitness for a particular purpose and non-infringement) and shall not be responsible for updating, correcting or supporting the Content.Ĭanon reserves all relevant title, ownership and intellectual property rights in the Content. Although Canon does provide official C-log conversion LUTs, those LUTs are meant for their cinema line of cameras. Compatible with Canon Cameras shooting in C-Log or C-Log 3 in either BT.709 or Cinema Gamut color space. Below, you’ll find our free color transform LUT for Sony S-Log 3 footage.
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